How a 19th-century experiment in democratic music became a global phenomenon

Countries & Cities · Published 29 September 2026 Swipe more like this →

In short: In 1895, Robert Newman launched a series of concerts designed to 'train the public' through low prices and an informal atmosphere. Today, the BBC Proms remains one of the world's largest musical festivals, blending high-art repertoire with a unique, standing-room culture.

The origins of the Proms lie in the 'promenade' tradition of London's 18th-century pleasure gardens, where audiences could stroll while music played. When Robert Newman inaugurated the modern series on 10 August 1895 at the Queen's Hall, he aimed to broaden classical music's reach. His strategy was simple: offer low ticket prices and an informal environment where 'promenaders' could eat, drink, and smoke while listening.

The festival's identity was forged by Sir Henry Wood, who conducted from the very first concert. Wood was instrumental in building a repertoire that balanced popular works with substantial pieces by Beethoven or Schubert, and he pioneered the inclusion of contemporary composers. While the BBC took over organization in 1927, the spirit of the 'promming' tradition—specifically the use of standing areas like the Arena and Gallery—remains a cornerstone of the event.

The festival has survived significant upheaval, including the destruction of the Queen's Hall by air raids in May 1941. This forced a move to the Royal Albert Hall, the festival's current primary home. The programming has also evolved from the rigid structures of the early 20th century—where specific days were dedicated to composers like Wagner or Beethoven—to a diverse modern season that includes everything from avant-garde works by Boulez and Stockhausen to 'pop' appearances by bands like Soft Machine.

Today, the Proms is a massive cultural undertaking, featuring eight weeks of daily concerts. It maintains its democratic roots through affordable standing tickets, which, as of 2026, are priced at £8. This accessibility ensures that the 'Prommers' continue to participate in a tradition that bridges the gap between elite orchestral performance and the general public.

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