How a Falklands War veteran became the face of a national portrait collection

How a Falklands War veteran became the face of a national portrait collection
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In short: After suffering severe burns in the 1982 Falklands War, Simon Weston transformed his trauma into a life of public service and advocacy. His journey from a wounded soldier to a national figure culminated in 2014, when he was selected by public vote to be immortalized in the National Portrait Gallery.

Born in Caerphilly in 1961, Simon Weston joined the Welsh Guards in 1978. His life changed irrevocably on 8 June 1982, when the troop transport ship RFA Sir Galahad was bombed by Argentine forces during the Falklands War. The ship, carrying ammunition and fuel, was devastated by the attack. Of the 30 men in Weston's platoon, 22 were killed, and the Welsh Guards lost 48 men in total. Weston survived with 46% burns, an injury that left his face barely recognizable and necessitated over 96 major surgical procedures to reconstruct.

The path to recovery was fraught with psychological trauma, including struggles with heavy drinking and suicidal thoughts. Weston credits his mother and the refusal of his former regiment to treat him with pity as catalysts for his eventual resilience. He channeled his experiences into charity work, becoming a patron for organizations supporting those with disfigurements and co-founding the youth charity Weston Spirit in 1988. His public profile grew through television appearances, autobiographies, and vocal advocacy for veterans' rights, often criticizing government failures regarding military equipment and healthcare.

In 2013, the National Portrait Gallery and the BBC launched 'The People’s Portrait,' a project inviting the public to nominate a subject for a new commission. Weston was chosen from a shortlist of twelve individuals. The resulting portrait, painted by Nicky Philipps and unveiled in 2014, depicts Weston standing behind a chair with his Welsh Guards cap resting on the seat—a poignant tribute to the colleagues he lost. The work is not merely a likeness but a testament to his courage and the enduring physical and emotional realities of warfare.

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