Can a beloved French comedy survive a transition into the British talent agency world?

Can a beloved French comedy survive a transition into the British talent agency world?
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In short: Ten Percent adapts the hit French series Call My Agent! for British television. While it maintains the original's jaunty spirit, the show navigates the tension between being a faithful remake and establishing its own identity through unique characters and a distinctly British sensibility within the cutthroat world of talent representation.

Ten Percent, released in April 2022, follows the staff of the London talent agency Nightingale Hart after the sudden death of its founder, Richard Nightingale. The series explores the chaotic lives of agents like Jonathan, Rebecca, Stella, and Dan as they manage temperamental celebrity clients and struggle to keep the agency afloat. Central to the drama is the arrival of Misha, an aspiring agent who is secretly the illegitimate daughter of Jonathan, a revelation that threatens his family life with his wife, Charlotte.

The adaptation was helmed by John Morton, known for his work on workplace satires like W1A. Morton faced a creative choice: portray the agent-client dynamic with cynicism or affection. He ultimately chose the latter, aiming to capture the warmth found in the original French series, Dix pour cent. While the show features many real actors playing versions of themselves, the British version introduces original characters not found in the source material, such as the struggling actor Simon and the American executive Kirsten, who brings cultural friction to the agency.

Critical reception has been mixed, with many reviewers noting that the series is almost a direct copy of the French original. Critics like Rebecca Nicholson and Scott Bryan found it enjoyable but questioned its necessity, suggesting it feels like a re-watch for those familiar with the source. However, others, including Sophie Gilbert and Andrew Trendell, argued that the show possesses a unique British charm. They highlighted that the most resonant moments often stem from Morton's original additions, which allow the series to move beyond its French roots and address the specific preoccupations of the British cultural industry.

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