How a simple political joke sent a Yugoslav father to a labour camp
In short: In 1950s Yugoslavia, a casual remark about a newspaper cartoon could destroy a family. Emir Kusturica’s 1985 masterpiece, When Father Was Away on Business, captures this paranoid era through the eyes of a young boy, blending dark political satire with the enduring, mystical resilience of family bonds.
Set during the intense Informbiro period following the Tito–Stalin Split, the film explores a climate of extreme suspicion. The protagonist, a young boy named Malik, is told his father, Meša, is away on a business trip. In reality, Meša—a communist functionary—has been sent to a labour camp. His betrayal comes from within his own home: his brother-in-law, Zijo, a higher-ranking official, reported him for a seemingly minor comment regarding a political cartoon in the newspaper Politika.
The film masterfully balances this grim reality with a rich, humorous portrait of daily life. While the state apparatus hunts for enemies, characters like the local drunk, Čika Franjo, navigate the Cold War by singing Mexican songs to avoid offending either the United States or the Soviet Union. The narrative is punctuated by personal milestones, such as Malik’s circumcision and his first love, set against the backdrop of his father’s infidelity and his mother’s complex reconciliation with her brother. Critics have lauded this blend of satire and compassion, with John Simon describing it as a work of 'undaunted honesty' and 'unswerving intelligence.'
Emir Kusturica’s direction earned him his first Palme d'Or at the 1985 Cannes Film Festival, a feat he would repeat a decade later with Underground. The film’s success lies in its ability to depict how the absurdity of political repression is countered by the persistence of human connection. As noted by The Hollywood Reporter, the film remains a poignant reminder of how humor and the deep, almost mystical power of family can endure even when the state turns against its own citizens. It stands as both a historical love film and a sharp, witty commentary on a fractured era.
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