How a delayed release created one of the most polished folk albums ever recorded
In short: Originally slated for November 1970, Nick Drake's second studio album was held over due to artwork dissatisfaction. Released in March 1971, Bryter Layter traded his solo folk roots for lush, sophisticated arrangements that aimed to evoke the Beach Boys' Pet Sounds.
Released on March 5, 1971, by Island Records, Bryter Layter represents a pivotal moment in Nick Drake's discography. Unlike his final, unaccompanied studio effort, Pink Moon, this second album utilized a rich ensemble of musicians. The sessions featured members of Fairport Convention, John Cale of the Velvet Underground, and Beach Boys session musicians Mike Kowalski and Ed Carter. Arranger Robert Kirby worked to create a soundscape intended to evoke the intricate textures of the Beach Boys' Pet Sounds. The record marks the last time Drake performed alongside other musicians before his final, solitary studio project. This collaborative approach was facilitated by producer Joe Boyd.
Critical reception at the time was largely positive, though nuanced. While Jerry Gilbert of Sounds described the songs as needing the 'cauldron' of producer Joe Boyd to truly effervesce, other critics were struck by the technical execution. Lon Goddard of Record Mirror praised Drake's guitar work and Kirby's arrangements, while Disc and Music Echo noted the singer's unique, deep 'vaseline' voice. Conversely, Melody Maker's Andrew Means offered a more dismissive view, characterizing the ten tracks as repetitive, quiet, and relaxing 'late-night coffee'n'chat music.' The singer's distinctive vocal quality was described by some as being particularly suited for crooning. This specific tone was highlighted during contemporary reviews.
The album's legacy has only grown with time. Major outlets have lauded the record: Q named it the 23rd best British album in its top 100, while NME ranked it 14th for the 1970s. Its influence extends into modern pop culture, with its tracks appearing in films like Wes Anderson's The Royal Tenenbaums and Garden State, and its imagery even inspiring the Japanese metal band Boris. The album's enduring impact is evidenced by its inclusion in Colin Larkin's All Time Top 1000. Furthermore, Rolling Stone placed it among the 500 greatest albums ever.
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- Summary by Intellect · source: Bryter Layter
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