How a software engineer, a jingle writer, and a teacher redefined Bollywood music

How a software engineer, a jingle writer, and a teacher redefined Bollywood music
Image: Intellect (generated)

In short: Before they were the Amar Akbar Anthony of Indian film music, Shankar Mahadevan, Ehsaan Noorani, and Loy Mendonsa were outsiders. Merging rock, blues, and jazz with classical roots, this trio transformed the sound of modern cinema, proving that a background in tech and advertising could rewrite the industry's rules.

The trio's origin story is rooted in the non-film music scene. Shankar Mahadevan, a software engineer who worked on Oracle Version Six, brought deep training in Hindustani and Carnatic classical music. Ehsaan Noorani, a guitarist who studied at the Musicians' Institute in Los Angeles, was a veteran of local bands like Pegasus and Crosswinds. Loy Mendonsa, a multi-instrumentalist and former music teacher, had established himself writing for television shows like Quiz Time and Fauji. Their paths converged through the world of advertising, where they began collaborating on jingles before transitioning to film.

Their entry into mainstream Bollywood was marked by the 2000 film Mission Kashmir, but it was the 2001 film Dil Chahta Hai that cemented their status. Initially, the project was intended for A. R. Rahman, but when he became unavailable, the trio stepped in. The success of the soundtrack established a long-term creative partnership with director Farhan Akhtar and his production house, Excel Entertainment. This era of experimentation allowed them to blend Western genres—such as bar blues and techno—with traditional Indian styles, a fusion that became their signature.

The trio's influence extends far beyond film scores. They have composed for the first Bollywood musical, Zangoora, and created the official anthem for the 2011 ICC Cricket World Cup. Their work has been recognized with numerous accolades, including National Film Awards and multiple Filmfare Awards. Despite the high-pressure environment of the industry, they have maintained a consistent output across five languages, proving that their eclectic background was not a hindrance, but the very engine of their success.

Today, they are celebrated for their ability to adapt, whether through co-producing films like Johnny Gaddaar or composing for digital streaming series. Their journey from the jingle circuit to the top of the charts remains a testament to the power of cross-disciplinary collaboration in an industry often defined by rigid traditions.

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