How a self-produced rock album sparked a corporate ban and critical acclaim

How a self-produced rock album sparked a corporate ban and critical acclaim
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In short: After the collaborative success of her debut, Sheryl Crow took total control of her second album. The result was a raw, eclectic record that tackled controversial social issues, earned triple platinum status, and famously triggered a retail ban from Walmart for its pointed lyrics about the company's gun sales policy.

Released on September 24, 1996, Sheryl Crow marked a significant departure from the singer's 1993 debut, Tuesday Night Music Club. While her first record emerged from a casual collective of musicians, the second album was a solitary assertion of authority. Following the departure of producer Bill Bottrell, Crow assumed production duties herself, writing most of the songs with minimal collaboration and playing the majority of the instruments, including bass, guitar, and keyboards. Recording sessions moved from Pasadena to Kingsway Studios in New Orleans, where Crow sought to escape the ghosts of her previous work.

The album is noted for its rich, textured sound, blending rock, blues, country, and folk with light hip hop loops and psychedelic effects. Critics praised the production as intricate and assured, with Eric Weisbard of Spin noting its literate persona and David Browne of Entertainment Weekly describing it as a professional lo-fi achievement. However, the record was not without detractors; some critics, including David Fricke of Rolling Stone, found parts of the album underdeveloped or derivative. Despite this, the album secured major accolades, winning Best Rock Album at the 39th Annual Grammy Awards.

Lyrically, the album explored American life and moral dilemmas. The track 'Love Is a Good Thing' directly criticized Walmart's gun sales policy, leading the retailer to ban the album from its stores. Other songs touched on diverse themes, from government conspiracies in 'Maybe Angels' to the Bosnian War in 'Redemption Day'. Retrospectively, the album has been cemented as a modern classic, with Rolling Stone naming it one of the essential albums of the 1990s and including it in their list of the 500 greatest albums of all time in 2020.

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