How a high school bass vacancy launched a jazz virtuoso's legendary career

How a high school bass vacancy launched a jazz virtuoso's legendary career
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In short: Ray Brown didn't originally plan to play the double bass. After his father couldn't afford a trombone, a vacant spot in his high school orchestra changed everything. This accidental choice led him to join Dizzy Gillespie at age 20 and become one of the most recorded musicians in jazz history.

Born in Pittsburgh on October 13, 1926, Brown's musical journey was shaped by necessity. After taking piano lessons as a child, he considered the trombone, but his father's inability to afford the instrument forced a pivot. A vacancy in his high school jazz orchestra provided an opening for the upright bass, an instrument he would master with astonishing technique and tonal resonance.

Brown's rise was meteoric. After graduating high school in 1944, he moved to New York City at age 20. There, he was hired on the spot by Dizzy Gillespie, joining a band that included Milt Jackson, Kenny Clarke, and John Lewis. This rhythm section would eventually evolve into the Modern Jazz Quartet. During this era, Brown also met singer Ella Fitzgerald; the two married in 1947, though they divorced in 1952 or 1953 due to career pressures.

From 1951 to 1965, Brown was a cornerstone of the Oscar Peterson Trio, a group often cited as one of the finest small ensembles in jazz history. His prolific career saw him perform on more than 2,000 recordings, working with titans like Art Tatum, Charlie Parker, and Frank Sinatra. Even in his later years, his influence persisted, notably encouraging a young pianist named Diana Krall to move to Los Angeles to study under him.

By the end of his life, Brown's legacy was cemented through numerous accolades, including an Honorary Doctorate from Berklee College of Music in 1995 and an induction into the DownBeat Jazz Hall of Fame in 2003. He continued to perform with his own trio until his death in Indianapolis on July 2, 2002.

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