The architect of the Commodores' signature sound who helped define the Motown era

The architect of the Commodores' signature sound who helped define the Motown era
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In short: Born in 1949, Thomas McClary was more than just the lead guitarist for the Commodores. He was a foundational force who integrated Florida schools, co-founded a legendary band at Tuskegee University, and crafted the iconic guitar solos and songwriting contributions that propelled the group to global Motown stardom.

Thomas McClary’s journey began in Eustis, Florida, where he was among the first African-American students to integrate the local school system. His musical path took shape early, moving from ukulele to acoustic and electric guitar. While studying business at Tuskegee University, a chance encounter in a registration line with Lionel Richie led to the formation of a band in 1968. Originally called The Mystics, the group eventually evolved into the Commodores, signing with Berry Gordy and Motown Records in 1972.

For 15 years, McClary served as the group's lead guitarist, credited with establishing their signature sound. His performance on the hit song "Easy" received critical acclaim, with writer Dave Thompson labeling it one of the greatest solo guitar performances in history. Beyond his technical prowess, McClary was a prolific songwriter and contributor, helping create chart-topping hits such as "Slippery When Wet" and contributing to classics like "Brick House" and "Too Hot ta Trot." His influence extended into production and songwriting for other artists, including Klique and Michael Henderson, during the 1980s.

After departing the Commodores in 1984, McClary pursued a solo career, releasing an eponymous album in 1985. By 1986, he shifted his focus back to his Florida roots, dedicating his talents to his church as a music director and launching a gospel label. His later work included the 2008 album A Revolution Not a Revival and the 2017 publication of his memoir, Rock and Soul. His career remains a testament to his versatility, bridging the gap between the high-energy funk of the Commodores and his later spiritual and creative pursuits.

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