How a tragic loss and a brain injury birthed a metal masterpiece

How a tragic loss and a brain injury birthed a metal masterpiece
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In short: When Mastodon released Crack the Skye in 2009, they traded raw aggression for an expansive, ethereal narrative. Born from the death of drummer Brann Dailor’s sister and guitarist Brent Hinds’ recovery from a traumatic brain hemorrhage, the album blends science fiction, astral travel, and the dark history of Tsarist Russia.

Released on March 24, 2009, Crack the Skye marked a significant departure for the American metal band. It was their first studio album to feature drummer Brann Dailor as a lead vocalist, with Dailor penning most of the lyrics while guitarist Brent Hinds composed the music. The record’s creation was deeply personal; Dailor wrote the title track as a tribute to his sister, Skye, who died by suicide at age 14. For Dailor, the title represents the shattering moment of grief that follows the loss of a loved one.

The album’s narrative is a complex, surreal journey involving a paraplegic who astral travels into space, only to burn his golden umbilical cord near the sun. He is drawn into a wormhole and ends up in the spirit realm, eventually inhabiting the body of Rasputin to navigate a plot involving the Russian czar, divination, and the Devil. This conceptual ambition was fueled by the band’s interest in Stephen Hawking’s wormhole theories and the aesthetic history of Tsarist Russia. During production, Hinds, recovering from a brain hemorrhage sustained in a 2007 altercation, favored laid-back music, while the band drew inspiration from classic progressive rock like King Crimson and Pink Floyd.

Critically, the album was a triumph, earning a score of 82 on Metacritic and being named the top album of 2009 by Metal Hammer. Publications like Time and Classic Rock ranked it among the year's best, while The New Yorker praised its vivid execution. The packaging reflected this ambition, particularly the limited edition tunnel book, which featured hidden imagery of Skye. By September 2010, the album had sold 200,000 copies in the United States, cementing its status as a sophisticated, genre-defying work that remains a high point in the band's discography.

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